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Virgin Marys are rarely figures of unconstrained
glee, but the one I followed through the dark streets of Arequipa
looked truly sad and dejected.
Why is it that the citizens of this southern Peruvian
city choose to parade a particularly doleful Virgen Dolorosa - a
Sorrowful Virgin - along their avenues each Easter? Is it perhaps
because Arequipa is home to Santa Catalina, the largest cloistered
convent in the world?
Here, for centuries, up to 500 daughters of wealthy
colonial families lived lives of total seclusion, most of them against
their will.
That, surely, cannot have been hugely amusing. But
even the modern women of Arequipa seemed sombre as, lighted candles
held before them, they followed the swaying Virgin through the streets.
Not only was she sorrowful in her long black robes,
she was also heavy; two dozen men shuffled slowly and painfully
beneath her litter while a melancholy band marked time with a lugubrious
"Ave Maria".
There was only one person in the entire procession
who had anything to smile about. Like all the band members, the
trumpet player had sheet music clothes-pegged to the back of his
collar.
Mischievously, he kept wiggling about so the poor
trombone player behind him could not follow the score. So full of
woe and despond were the proceedings, I rather admired him.
Did things lighten up later on? I never found out,
for the next morning our little group of Easter celebrants became
a party of explorers. Abandoning civilised Arequipa, we departed
for the wilds of the remote Colca Canyon. With a cold dry wind spanking
up dust, we bowled along the dirt roads of the altiplano for hours.
The elevated plateau of southern Peru is one of the
most desolate regions on the continent. More than 13,000ft high,
its sweeping plains are covered by sparse, ground-hugging vegetation
and dotted about with snow-covered volanoes.
Life here is rude. On the road we waved at truckers
howling across the flats on their way to remote gold and copper
mines. Andean geese, vicunas, roaming llamas and the wind-blasted
herdsmen who look after them were the only other creatures we saw
on these wild, tundra-like heights.
Great was our surprise, then, when we abruptly shot
down into a deep, narrow canyon, a split in the earth that left
the barren altiplano well above us. Long ignored, only now coming
into contact with modern life, the Colca Canyon is a world on its
own.
It is an old world. It is shared, we learned as we
settled down that evening in the thatched, adobe-built Parador del
Colca lodge, by Indian groups who pre-date the Incas. It is also
an odd world.
Jonathan Swift's Gulliver travelled to make-believe
lands to meet beings with differently shaped heads. He need not
have. Pointy-heads and Flat-heads have lived in the Colca for 1,500
years - all quite true, I was assured.
The upper section of the canyon is the home of the
Collaguas, who long ago developed a sacred cult centred on Mismi,
a nearby snow-covered volcano.
The lower section, on the other hand, is the territory
of the Cabanas, whose own cult revered Hualca-Hualca, a volcano
on the opposite side of the canyon.
Mismi is high and pointed. Hualca-Hualca is low and
flat-topped. For reasons I am sure only they could explain, each
group used wooden molds to shape the heads of their babies into
forms resembling their respective volcanoes.
The practice was outlawed by Spain's colonial rulers,
but old ways die hard. To this day the Collaguas wear white hats
with high brims, the Cabanas brown hats with low brims.
Having volcano-shaped heads did not seem to have
affected the canyon-dwellers' survival skills.
While other pre-Incas specialised in ceramics, textiles
or stone-sculpting, both Collaguas and Cabanas, living in their
steep-sided canyon, became absolute masters of mountain landscaping
and irrigation.
The next day we hiked up the canyon-side through
tier after tier of stone-built terraces. Fed from a waterfall high
above, water burbled everywhere, through sluices and water-channels,
dykes and ditches.
Maize, potatoes, broad beans, alfalfa and barley
transformed the terraces, as they have for centuries, into a patchwork
of greens and golds. Butterflies fluttered, giant Andean humming
birds hummed, and high over the canyon condors soared through a
cloudless sky.
It was paradise. For a brief moment I considered
abandoning all to take up terrace-farming in the canyon. I had only
one hesitation: which hat would I wear?
As a matter of fact, there are times when Colca villagers
do not wear hats or much of anything else. This I discovered when
I attended a crucifixion that afternoon in the village of Chivay.
Locals take Christ as seriously today as they used
to take volcanoes. It was not the realistic 40 lashes on the village
square that disturbed me in Chivay's reconstruction of the Easter
Passion. Nor was it the genuine crown of thorns, or the vigorous
poking Jesus received from spears wielded by legionnaires in home-made,
tin-foil helmets.
No, what bothered me was the cold and knifing Andean
wind that was blowing when they tied the poor man playing Christ
to a cross and hauled him up wearing nothing but a loin-cloth.
In a few minutes he was authentically blue, and I
thought he really might expire. The crowd, though, enjoyed it all
enormously. Cold wind or no, Colca loves a celebration.
This was nothing, though, compared with the celebration
held that evening in the neighbouring town of Yanque. In an old
colonial church jammed with Indians in embroidered dresses and blankets,
a wooden Christ with hinged arms was reverentially taken down from
the cross. Handled as delicately as any real human, his body was
undressed and washed, dressed again, then placed in a glass coffin.
The Virgin Mary, too, was prepared for a tour of
the town. She stood in the strangest of conveyances, a tank-like
contraption plated with all the village's silver and tin serving-trays
and festooned with flowers, fresh fruits, chilli peppers and strings
of coins.
Off the parade set through the streets of Yanque,
splitting in two later to meet on the far side of town. I followed
the Virgin's procession because it was such a joyous, energetic
affair. The band played an odd, lilting, almost jazz-like air.
The Virgin lilted, too, carried along by dozens of
white-gowned bearers who picked up a cadenced jog-trot and set the
palanquin swaying and jangling crazily through the night.
So we made our way through the dark and muddy Yanque,
as strange and ecstatic a procession as I shall ever take part in.
As happy as everyone else present, I could not help
thinking of those lugubrious ladies of Arequipa. Easter is not necessarily
a doleful time; it just depends on where you celebrate it.
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