All photos featured in article courtesy of the Association of Pro Art and Culture This April 24th the tenth International Festival of Baroque and Renaissance Music of America will commence in the Chiquitos Jesuit Missions in the region of Santa Cruz, Bolivia. Taking place every two years, this year’s celebration will be double the size of that of 2013, as organizers have amplified the offerings with fifty musical groups from Bolivia and around the world playing 140 concerts in twenty communities throughout ten days. The region of Santa Cruz in southeastern Bolivia, bordering with Brazil, was named “Chiquitos” by the Jesuit missionaries from Europe who arrived in the late 17th century. The Jesuits brought their European instruments like violins, viols, flutes and harpsichords to these indigenous jungle communities, who adapted to them and became talented baroque and renaissance musicians, a tradition preserved to the present day—even after the expulsion of the Jesuits in 1767. There are six temples from the Jesuit Missions of Chiquitos that underwent a restoration in the 1970’s, which are spread throughout the Santa Cruz region: Concepción, San Javier, San Ignacio, Santa Ana, Santiago and San José. They are now cultural centers promoting the arts in the communities where they are situated. The architecture and designs of the buildings as well as the art they contain have attracted tourists in recent years, bringing some prosperity to the people of the area. Most notably, the missions demonstrate the “mestizo” culture, blending the European instruments with the music of the indigenous communities, mixing the Spanish and indigenous language, design to produce something completely original. The festival, however, focuses on traditional baroque and renaissance musical works by both European and indigenous composers, which were recovered during the restoration. For anyone planning a visit to Bolivia this spring, the International Festival
All photos featured in article courtesy of the Association of Pro Art and Culture This April 24th the tenth International Festival of Baroque and Renaissance Music of America will commence in the Chiquitos Jesuit Missions in the region of Santa Cruz, Bolivia. Taking place every two years, this year’s celebration…
In 2011 Aracari sponsored the exhibit of contemporary Peruvian art, El placer es más importante que la victoria, at the Tasneem Gallery in Barcelona. Next week this exhibition will showcase at the second installation of Art 14 London, a weekend-long art exhibition beginning next Friday, February 28th at the Olympia Grand in London’s Kensington district. The exhibit, El placer es más importante que la victoria (Pleasure is more important than victory), features the works of thirteen contemporary Peruvian artists, who offer multiple interpretations of the current movements culturally, politically, socially and economically as they are unfolding in Peru upon its return to the international community after a time of isolation and tumult that suppressed the country in the late 20th century. These artists explore the range of reactions to the economic upswing that has resulted in spirit of decadence in Peru, examining the role of image, pleasure and the body in a society coming out of a dark period marked by violence and stagnancy that lingers in the memory of those who lived it while the new generations learn from the scars it has left on the country. Striking works like the portraits by Alfredo Marquez or Harry Chavez’s “La Mente”, two conjoined skulls decorated by colorful stickers of popular images in Peru, as well as curious works like the tower of stacked, plastic glasses “Untitled” by Gilda Mantilla, reflect on stereotypes emerging from this new era marked by a celebration of aesthetics and fun in Peru. You can look at a preview of these pieces and read biographies on the artists on the Tasneem Gallery website: El placer es más importante que la victoria As a disseminator of Peruvian culture, Aracari became involved with the exhibition as part of our effort to interpret for our guests current movements in
In 2011 Aracari sponsored the exhibit of contemporary Peruvian art, El placer es más importante que la victoria, at the Tasneem Gallery in Barcelona. Next week this exhibition will showcase at the second installation of Art 14 London, a weekend-long art exhibition beginning next Friday, February 28th at the Olympia…
Sculptures Along Lima’s Costa Verde Walking along the sidewalk of Malécon Cisneros in Lima’s picturesque seaside district, Miraflores, you will find the iconic Parque del Amor with its larger-than-life sculpture of two lovers in a deep embrace called “The Kiss”. The monument to love, created by Peruvian artist Víctor Delfín, was erected on February 14, 1993—Valentine’s Day—when the park opened on the Costa Verde. The park takes inspiration from whimsical designs by Spanish architect, Antoní Gaudí, particularly the famous Park Güell in Barcelona’s hilly Gràcia district. The wall flanking the park waves along the coast and is decorated with a ceramic mosaic in which quotes from Peruvian writers about love have been embedded like the first line of the poem “Poetry in A Major” by Limeñan writer Jorge Eduardo Wilson: “estupendo Amor AmAr el mAr”. The English translation does not quite do it justice, but it is enough to know the poem is about love (el amor) and the sea (el mar)—two elements that the Parque del Amor unites. Pass by the park at sunset and you will spot the silhouettes of lovers sitting along the wall, holding hands under a tree or, taking note from the sculpture, embracing for a kiss. The sculpture is one of several contemporary works along the Costa Verde, created as part of an effort to beautify the city and bring art to the public. On the other end of the Puente Villena, the bridge that leads to the Parque del Amor, there is a rather formidable sculpture by artist Fernando de Szyszlo. Titled “Intihuatana”, the hitching post in Quechua, the stone sculpture pays homage to the culture that worshipped the sun, trying to capture it at the post. As Szyszlo explained during the inauguration, with Lima’s characteristic gray, overcast skies, a hitching post for
Sculptures Along Lima’s Costa Verde Walking along the sidewalk of Malécon Cisneros in Lima’s picturesque seaside district, Miraflores, you will find the iconic Parque del Amor with its larger-than-life sculpture of two lovers in a deep embrace called “The Kiss”. The monument to love, created by Peruvian artist Víctor Delfín,…
An upturned fruit crate might not be the setting where one would expect to enjoy a gourmet meal in Peru’s capital, yet this is precisely the concept of IK Restaurant Lima, a trendy new addition to the Miraflores neighbourhood. Aracari was invited to try it out in January. IK Lima - Gourmet Gastronomy No giant fruits are to be found in aforementioned crate: the walls of the restaurant are staggered wooden slats intertwined with plants and backed with soft, natural lighting. The round tables are made from recycled wood, while the food is served on alabaster platters. Reflecting the natural style, smooth round stones are carefully arranged at each place on the table acting as props for the metal tongs used for eating. Restaurant owner Franco Kisic explained that the aim of this natural attire is to make diners feel relaxed; “We don’t want the restaurant to feel like a part of the city, but a retreat from Lima’s often chaotic environment.” The story behind IK Lima The restaurant is named after Franco’s twin brother, Ivan Kisic, who, at 36 years old, sadly passed away in a car accident in 2012. A well known Limeñan chef, Ivan had studied at Le Cordon Bleu in Canada and then in London alongside Virgilio Martínez of the world-famous Central as well as Lima restaurant in London (which has just received a Michelin Star). Ahead of his untimely passing, Ivan had plans to open his own gourmet restaurant in Lima. To ensure that Ivan’s concept came to fruition, Franco and other family members pushed ahead to open the restaurant in his memory, and in line with his vision. Franco now has a team of investigators studying the notes his brother left behind and to go out in search of new ingredients and inspiration. Amongst other influences
An upturned fruit crate might not be the setting where one would expect to enjoy a gourmet meal in Peru’s capital, yet this is precisely the concept of IK Restaurant Lima, a trendy new addition to the Miraflores neighbourhood. Aracari was invited to try it out in January. IK Lima –…
Last week I spent a bit of time (sadly too little) in the lovely town of Cartagena de Indias on the Caribbean coast of Colombia. I have been several times (you can read about one of my previous visits: Marisol, Aracari's Owner Rings in 2008 from Cartagena, Colombia) and go relatively often as I am lucky enough to have friends who have a home there, so I visit them whenever I can. I thought I was kind of over Cartagena and only went this time to spend time with my friends on the occasion of the inaugural party of the Hay Festival Cartagena, which they host at their beautiful house every year. In addition to the party, we went to spend a couple of days at a lovely seaside resort in the Baru Peninsula, a 45-minute boat ride away, and that was blissful. During one early morning I went for a run along the city wall and later that afternoon, I ventured out to explore around town and fell in love with Cartagena all over again. What I find particularly captivating is that it is beautiful and atmospheric while not being excessively manicured. It is still authentic despite all the visitors it receives. For around ten years Cartagena has been quite a hip destination for those international travellers who are "in the know". Of course for Colombians it has always been very cool among other things for being the residence of Nobel Prize winner, Gabriel Garcia Marquez. The main reason why international visitors flock here? Its fantastic location on the shores of the Caribbean Sea, the tropical climate, wonderful music and dancing and its proximity to the Northern Hemisphere (a painless four hour direct flight from New York on Jetblue). Colombia has, as many know, had a terrible reputation relating to drug trafficking and
Last week I spent a bit of time (sadly too little) in the lovely town of Cartagena de Indias on the Caribbean coast of Colombia. I have been several times (you can read about one of my previous visits: Marisol, Aracari’s Owner Rings in 2008 from Cartagena, Colombia) and go relatively…
Chambi Archives: A Snapshot of the Past On a quiet side street in the city of Cusco , you will find the archives of Martín Chambi, one of the first indigenous photographers of Latin America to gain international acclaim. His photographs, which range from some of the first mystic shots of Machu Picchu to a striking portrait of the giant of Llusco, are widely known and inevitably leave a lasting impression on viewers. It is very likely that you have, at some point or another, seen one of his photos without realizing it. Martín’s grandson, Teo Allain Chambi (pictured above), is the keeper of this precious collection of some 30,000 photo negatives on glass plates, spanning from 1917-1970, which can be visited by special arrangement with Aracari. Visiting Martin Chambi Archives in Cusco Visting Cusco I had the opportunity to check out the Martin Chambi Archives with Aracari and found myself sitting across from Teo Allain on a bench that had originally belonged to his grandfather’s studio. Books about Martín and his works layered the top of the trunk between us. I flipped through them while listening to Teo narrate an overview of his grandfather’s history. Teo is one of Aracari's specialist guides who offers guests a unique an privileged insight into the work and life of photographer Martin Chambi. The Life of Martin Chambi In 1891 Martín Chambi was born into a family of farmers in Coaza, a province north of Lake Titicaca . While visiting a mine with his father, Martín saw a British man taking photographs with his camera and decided that he wanted to be a photographer. With his family’s support, Martín moved in 1908 to the city of Arequipa to pursue photography and spent the next nine years apprenticing at the studio of Max T. Vargas. After,
Chambi Archives: A Snapshot of the Past On a quiet side street in the city of Cusco , you will find the archives of Martín Chambi, one of the first indigenous photographers of Latin America to gain international acclaim. His photographs, which range from some of the first mystic shots…
